related objects for:Max Humfress V's swimming costume

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  1. Bikini and beach jacket worn by Maureen Cooke
    1944

    Port Macquarie Historical Society

    This outfit is the oldest in Maureen Cooke's extensive private collection, most of which records in detail her career as a fashion designer and seamstress during the 1950s to 1970s. This beach outfit made in 1944 by Maureen at the age of fourteen is all that remains of her earlier work. It shows that even then Maureen was destined to bigger and better things in the fashion world. It is bold and makes a statement. Wearing a two-piece swimsuit on ... more

  2. Black Victorian silk jacquard waistcoat with black lace
    1880 - 1885

    Private collectors

    This beautiful and unusual Jacquard is believed to have belonged to Mary Bozzum Kennedy (Hume), a member of the Hume and related pioneering Australian families, or to her daughter, and is a treasured family heirloom. The garment has been used by subsequent generations as a dress up and as evening wear. more

  3. Black dress worn by Mrs Clara Boyton
    1910 - 1912

    Museum of the Riverina

    This dress is of historic significance. While ladies of the Victorian (and Edwardian) periods are often stereotyped as being svelte, retaining their small waistlines throughout their lives, with the aid of corsetry, this garment is a lovely example showing the transition of shape of a real Victorian. By the second decade of the 20th century (between 1910 and 1915) the differences between Victorian and Edwardian clothing became pronounced. The full flowing skirt of the 19th century evolved into a slim ... more

  4. Black dress worn by Mrs Jane Crain
    1902 - 1910

    Museum of the Riverina

    This black dress worn by 'Granny' Jane Crain can be viewed as an example of epitomising the hard-working, (often) tough, and industrious pioneering women who helped shape the fledgling township of Wagga Wagga (and the Riverina district). When properly fitted on a mannequin, it belies some of the character of the wearer. It is easy to imagine 'Granny' Crain as being a lady of small stature, with a ramrod straight back, being both upright and forthright in character and bearing. ... more

  5. Black silk evening dress
    1920 - 1929

    Private collectors

    This sleeveless, black silk sheath evening gown, with asymmetrical beading, flared skirt and scalloped hem belonged to Wendy Hucker (nee O’Donnell)’s mother Hylda Maria Sophia Australia Adelskold, and was presumably worn in the 1920s or early 30s. Hylda, born Melbourne, Victoria, 1887, one of seven children. She married Charles Joseph O’Donnell, a farmer, and bore nine children- Gustaf, Joan, Claes, John, Charles, Esther, Peter, Paul and Wendy. “Hylda and Charlie [as he was affectionately known] were real people, of whom ... more

  6. Blacker Twins' purple blouses
    1905 - 1912

    Quirindi and District Historical Society

    Historic, aesthetic and social significance because of the rarity of a pair of garments worn by twins. The different trimmings on the blouses indicates that the women were conscious of a need to tell them apart. They are associated with a family with a long connection with the Quirindi district with descendants who are still in the Quirindi community. These attractive blouses were for fashionable occasions. The embroidered floral trim shows it was for special occasions and not for every ... more

  7. Blue silk wedding dress
    1840 - 1843

    Sydney Living Museums

    This charming hand stitched wedding gown is a unique and fine example of a provenanced Australian dress. It was worn by Margaret Drummond Gentle for her wedding to the Rev. William Grant in Perthshire, Scotland in June 1845 and then passed to Margaret Ross Steel by Miss Barbara Grant, a daughter of the original owner. A full length seated photograph by Alma Studio of Margaret Steel wearing the dress in about 1938 is in the Meroogal collection. The silk is ... more

  8. Blundell day dress
    1875 - 1876

    Merimbula Old School Museum

    The dress is a well preserved example of Australian bespoke dressmaking during the late 19th century and is an increasingly rare example of a female day dress of the era. The style and careful disposition of the two patterned fabrics reflects the work of an accomplished dressmaker. Although evening and special occasion costumes are well represented in public collections around the nation, day dresses of the era have not survived to the same extent in moveable cultural heritage collections.  The ... more

  9. Bodice and bolero jacket over-bodice
    1880 - 1900

    Stanton Library

    The bodice and bolero jacket over-bodice are of rare, interpretative historic and social significance. These well-tailored garments made in Australia hold historic significance as evidence of the dressmaking skills accessible in the colony during the second half of the nineteenth century and the importance placed on clothing in a society where the social position of women was judged by their dress, personal behaviour and language. As bespoke mourning apparel made from silk, they are examples of the importance of appearance, ... more

  10. Boy's black velveteen suit
    1928 - 1930

    Griffith Pioneer Park Museum

    This boy's suit is one of three black velveteen suits made in the 1920s for Ori, Roy and Leo Pastega, the sons of an Italian migrant family. The suits were made by the boys' mother Luigia Pastega. The skills required to produce such garments were attained by Luigia as a young girl in Italy. Many Italian women excelled in such fine work, including the making of clothing, lace, knitting and embroidery. The Pastega's emigrated from northern Italy and settled in ... more

  11. Boy's outfit worn by William Nicholas Zell
    1892 - 1893

    Gilgandra Museum and Historical Society

    This garmet is important as an example of clothing that has been passed down through the years since the early 1890's by the Zell Family. It was machine sewn on a Singer sewing machine purchased in 1890 by the Zell Family. This family have been innovative farmers in the Tooraweenah/Gilgandra district since the 1880's. more

  12. Boy's smock
    1891 - 1893

    Dungog Historical Society Inc

    The Edwards family have had a long association with the Dungog region. The garment is of historic significance as it is an every day cotton smock of a boy who was born in 1887 and who died in 1893 from diphtheria. It was made by sewing machine with the button holes sewn by hand, probably by his mother, Mary Edwards. The yoke is made from cream material and the collar is lined with cashmere, probably a scrap from another garment. ... more